Showing posts with label sarah donner. Show all posts
Showing posts with label sarah donner. Show all posts

Monday, October 2, 2017

Kittens Slay Dragons - Big Big Heart (2016)




Written by David Beals, posted by blog admin

The debut ten song collection from singer/songwriter Sarah Donner’s electronic project Kittens Slay Dragons is entitled Big Big Heart and provides further evidence of her artistic range. Donner’s work usually falls in the singer-songwriter genre and has strong Americana leanings, but she works just as well outside that mode and her voice finds its footing with the same ease it does navigating around traditional instrumentation. While this is a strictly indie affair musically, that never means the production errs on the side of frugality. Big Big Heart, instead, is full of dynamic colors, clearly rendered arrangements, and has a bracing sound that grabs listeners straight away. It explores many of her concerns as an individual but, particularly, her love for animals and the writing makes use of a number of effective literary devices to help make her experiences more real listeners.

The surging opener “Gatekeeper” never relies too much on its electronic backing and, instead, balances things quite nicely between Donner’s voice and the musical accompaniment. The percussion is, naturally, electronic in nature, but everything about this part of the song’s presentation moves with organic energy and genuine warmth. Donner’s emotive skills get a full workout here and come across vividly. She brings the same emotive fireworks to bear on the album’s second song “Castiel”, but it relies a little more on the electronica than what the first song does, but it filters that through a sharper sense of dynamics than we ever heard on opener. The chorus is particularly effective. The talent for dynamics that Kittens Slay Dragons exhibit on the aforementioned song is treated much more expansively on “Smile Pretty” – this is a track with ebb and flow that keeps listeners on the edges of their seats and Donner’s vocal inhabits it with intimacy and dramatic skill.

The title song is one of the album’s unadulterated gems. “Big Big Heart” has a nearly perfect build that crescendos in a thrilling way and the same penchant for crafting memorable choruses in this style sustains Kittens Slay Dragons through this tune as well. The glistening musical textures powering songs like this could be sickly sweet in the wrong hands, but Donner and $hClane! aims its uses in a much more emotional direction that listeners will find impossible to ignore. ShClane!’s skill with laying down beats gets a real exhibition on the song “Symbols in the Sky” and the slightly darker, more intense hue to this song is an excellent shift in gears compared to the relatively bouncy approach of the earlier songs. It has the same effortless stride and energy, however; the urgency filling the album’s ten songs makes it all the better. The finale “Head Down, Heart Up” is a wonderfully stirring closing curtain for Big Big Heart and Donner saves one of her finest vocals for this moment. Big Big Heart is a worthwhile release from first song to last and there’s no escaping the inspiration that obviously gives this work such enormous spirit.

Thursday, September 21, 2017

Sarah Donner - Black Hole Heart (2016)




Written by Larry Robertson, posted by blog admin

Sarah Donner’s latest release Black Hole Heart finds her continuing to successfully mine the same rich musical territory that has brought her considerable notice thus far. The twelve songs on Black Hole Heart make use of traditional instrumentation like mandolin and piano alongside the customary acoustic guitar, but she also shows the daring to bring different instrumental voices under her tent like trumpet and organ. Her lyrical talents are well displayed on Black Hole Heart and her ability to marry metaphor with melody sets her apart from a score of her contemporaries. There are no great shows of musical virtuosity here; Donner, instead, concentrates on communicating melodic ideas and creating complementary vehicles for her songwriting. There isn’t a single miss on this album. Donner has created an exquisite work rife with the vulnerability and melodic gifts that have drawn such attention.

“Phoenix” is one of the marquee tracks on Black Hole Heart and it’s obvious why early on. There’s a nice combination of an upward slant to the melody accompanied by a light percussive shuffle that makes for some likeable listening. Her voice is a perfect match for the song’s evolution, picking up more and more energy along the way, and paying off nicely in the end. “Black Hole Heart”, despite its relatively foreboding title, strikes an ultimately hopeful note. In the hands of lesser talents, acoustic guitar can wear out its welcome as a limited melodic imagination will rely on variations of the same two or three phrases. Donner runs no risk of that. She is endlessly inventive with the instrument and has the sort of tastefulness you don’t often find. Her tunes have exactly what they need and no fat to be found.

“Tamsen Donner 1847” is a perfect example of that. The acoustic guitar work provides just enough musical color for enhancing Donner’s lyric. Her writing takes on a storytelling air with this performance and she excels with it every bit as she does with her more common personal and impressionistic style. “Athena” has a light bluegrass/country music influence, but the same pop sensibilities distinguishing much of the album come into play here and there’s some particularly strong vocal harmonies that make the chorus all the more memorable. She brings trumpet and organ into the mix for “The Flood”. The latter adds some discreet color to the song while the former makes for an impressive instrumental break thanks to Mike Batchelor’s fine playing. The breezy shuffle of “The Longest Road” has some sharp and even humorous lyrics that benefit from Donner’s emotional singing. It’s never emotion that leaves you dispirited – there’s something about Donner’s voice that’s gloriously life affirming and makes even the darkest song a healing experience of sorts. “Sinking Ship” is similar to the earlier “Tamsen Donner 1847” in the sense that it is depicts character and narrative. It doesn’t have the same lyrical focus as the aforementioned tune, but it is a fine track nonetheless with condensed lines, well chosen language, and some atmospheric harmonies. Sarah Donner’s Black Hole Heart ranks among her finest achievements and sets the bar higher than ever for any following releases.

Yam Haus - Stargazer (2018)

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