Showing posts with label rhett repko. Show all posts
Showing posts with label rhett repko. Show all posts

Friday, June 22, 2018

Rhett Repko - Thnx For The Ride (2017)



Written by Craig Bowles, posted by blog admin

Thnx For The Ride, a seven song EP, marks Rhett Repko’s second impressive release in 2017 and bears all the signs it might propel Repko to a greater renown than he has thus far experienced. It differs from his previous 2017 release, About Last Night, thanks to a much more resolute focus on being a pure, outright rock release incorporating the same singer/songwriter sensibility pervading his earlier releases. Repko makes no bones about being a classicist in some respects, but the most refreshing aspect of his songwriting and performances is how he fuses that approach with a very modern production style and a rambunctious sense of the possible. The title song embodies that. “Thnx for the Ride” mixes things up without the song ever coming off as disjointed or patched together – Repko and his band mates move from straight forward rock passages to other sections that are near reggae or ska in their approach. The lyrics are a bit unusual in the way they approach the time-tested subject matter of relationships and that individual touch on the song separates it from the pack.

“Please Don’t Laugh” keeps the bar set high for Thnx For The Ride with an equally punchy, if a bit more normalized, rock track that plays around with tempo shifts, but never to the same extent as we hear with the opener. The vocals are emphasized here a little more than before and lead guitarist Stefan Heuer excels with an impassioned guitar solo near the song’s end. Perhaps the most compelling section of the song comes near its mid-way point when the musical intensity fades a little and we’re treated to a slow, deliberate middle break that enhances the overall performance. “It Ain’t Coming From You” will be the EP’s peak for many listeners like it is for me and much of this has to do with the overall excellence of the song. There’s a strong acoustic strand underlying the song and wonderfully propulsive drumming from Tom Bryant, but the real highlight of the song comes from Repko’s vocal and another particularly tasty shift in tempo that comes near the track’s second half when the band slows things down and conjures a tasteful, thoughtful instrumental break.

“Maybe I’m Weak” elaborates on the previous song by expanding the dance between electric and acoustic guitars. Certain parts of this song may strike some listeners as choppy, but those passages are redeemed by yet one more intensely emotive Repko vocal and the rock firepower he and the band brings to bear in other portions of the tune. “And I Told Her So” has one of the EP’s best vocals with lead guitarist Stefan Heuer contributing a lot with his backing vocals. He rips loose with a biting solo, as well, during the song’s second half that underlines the potent rock power of this number, Thnx For The Ride concludes with the track “Make Me Right” and it’s a zesty closer for the EP that shows no fall off in energy from the first song. Repko has reached a new pinnacle with this release and Thnx For The Ride is chock full of great songs sure to be featured in his live set.

Monday, August 14, 2017

Rhett Repko - About Last Night (2017)




Written by Pamela Bellmore, posted by blog admin

Acoustic/electric troubadour Rhett Repko hails from the mighty Maryland scene; a scene that has given us everyone from heavy riff master Wino to the wild psychedelia of Animal Collective.  Anytime that I receive a promo or demo from the state, I’m always at ease knowing that I will probably be in for some really good music; Repko’s debut EP, a 6-track effort entitled About Last Night is no exception to the rule.  Splicing together tuneful charm and chunky guitar work, Rhett and his three-piece band provide some dazzling grooves and anthem-ready choruses for the listener to sink his or her teeth into.

The lead-in composition “Were You Ever Really Mine?” sports a slick, radio-friendly acoustic groove and prominent vocal melodies that showcases Repko’s knack for sultry high-note melodies.  Though he could steer the track in one sole direction, acoustic meditation is intersected by Stefan Heuer’s heavier riffs and busy lead guitar licks.  As the rhythm section goes from softly accompanying the lighter portions to employing slightly more bombastic on the rock portions, the song ends up far more than the sum of its parts.  “She Loves Me” has a punchy, drunk by noon country feel that’s more befitting of the outlaw originators than the false successors.  Filled to the brim with dirt-under-the-nails blues riffs and zippy lead bits, Repko and his acoustic maintain soulful melody even when things start ripping a little harder than usual. 
The EP’s centerpiece “About Last Night” could wow them at pop radio or ignite an arena crowd into silent communion with lighters in the air.  It’s a soft, slow motion number totally built around Rhett’s airy vocals, wandering guitar trips and a symphonic section.  A pair of late game rockers “Inside of Me” and “On the Run” ramp up the mood, respectively before closer “Bye Bye Baby” sends things off in waves of tranquil singer/songwriter, acoustic-guitar led pop.  It’s a romantic track that stands as one of the EP’s defining moments. 

This EP could become a huge crossover success with college radio behind it.  Mainstream radio could additionally benefit from adding Rhett Repko’s tunes to their playlist.  In the meantime, intrepid rock explores that search every corner of the Internet for satisfaction through music will no doubt find quite a gem in Rhett Repko’s flagship release.  The standout tunes on the release are  “She loves me,” “About Last Night” and “On the Run”, but it’s quite solid overall and should appeal to music devotees and casual fans alike.

Yam Haus - Stargazer (2018)

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