Written by Alonzo Evans, posted by blog admin
Illinois-bred singer/songwriter Joshua Ketchmark has
built a slow and steady career on excellent musical craftsmanship and stellar
guitar playing that’s spanned a dozen releases to date. He’s brushed shoulders with Melissa Etheridge
and has worked with the production teams that have brought to life recordings
by Elvis Costello, Don Henley and Ryan Adams.
In a tough modern musical climate where it’s very difficult to get your
own original compositions out there for the public to hear, Ketchmark has
accomplished way more than most. It’s
his talent that his gotten the singer/guitarist to where he is and it’s his
talent that can be heard all across his latest release, Under Plastic Stars.
The album opens with a gentle, trotting acoustic
number that’s draped in dusty folk influences and tinged of rural, back porch
country jamming. With his heartfelt
lyrics detailing a passionate relationship and instrumentation that puts a
production focal point on Joshua’s breathy voice and muscular acoustic guitars
while the rhythm section dives into a little groove that pushes the material
forward with grace and goodness. Subtle
church organ atmosphere is introduced on the twinkling, starlit magic of “Every
Mystery.” Gorgeous acoustic guitars
draped in reverb and slight echo provide a launch pad for Ketchmark’s earthy, infectious
vocal delivery that paints a forlorn picture of being pushed away by the one
that you’re in love with. This cut leads
directly into the harder, bluesy 6-strings, dark keyboard shades and rumbling
bass lines of the crunching “Let It Rain.”
An electric guitar buzz sometimes cuts through the thick, dense
instrumentals and the vocals slip more into a heartbroken roar that still shows
a surprising amount of melody and restraint.
Even slide guitar makes an accompaniment appearance to round out the sound
on this excellent number.
Breezy and autumnal in its aura, “Lucky at Leavin’”
pairs an energetic acoustic line to smooth flowing melodies with a recording
quality that leaves the impression of Josh playing alone onstage at a large
concert hall. Sweet back-up vocal
harmonies from an unknown female guest provide further emotive expression to
the song while lap-steel and layered keys add to a great deal of texture to the
music’s many charms. “Hereafter” returns
to semi-rugged country/blues backed by a rousing drumbeat, lamenting and
powerful vocals overflowing with stunning vibrato and several climactic breaks
where the volume swells and the instrumental tones rise to the sky. Hymnal organ playing and a fireball electric
guitar solo renders “Get out Alive” an edge that only further mixes up the
varied moods and sounds on the record.
Elsewhere the entirely acoustic “Harm’s Way” sucks the ears in from the
very first note, the vocal/piano led soul tune “Sweet Surrender” really
provides a showcase for Ketchmark’s gripping singing and awesome
multi-instrumentalism and closer “The Great Unknown” mingles rock volume and
tempos with country music’s ol’ fashioned vocal harmony standards and
simplistic but hook-y guitar/rhythm shakedowns.
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