OFFICIAL: http://www.alphamulemusic.com/
BANDCAMP: https://alphamule.bandcamp.com/
Written
by Larry Robertson, posted by blog admin
Country
n’ western meets folk when Alpha Mule dons their instruments for a down-home
BBQ full of tight melodies and rising vocal harmonies. With touches of bluegrass, blues and other
rural Americana sounds; Peripheral Vision
is the band’s debut of original songs and there’s some great stuff to behold
here. Lots of quick banjo, acoustic guitar shakedowns with verse vocal patterns
giving way to grandstand choruses that really make you want to sing-a-long at
the top of your lungs.
“Corpus
Christi” kicks things off in dusky bluegrass mode; relatively upbeat
instrumentation smothered by a layer of production darkness that creates a nice
sonic blend. Banjo and acoustic guitar
duel while the group’s two main players cook up some delicious vocal
harmonies. The group, comprised of Joe
Forkan on guitar/vocals and Eric Stoner banjo/vocals manage to cover a lot of
ground as just a duo while bringing in a few players to handle additional
instrumentation like upright bass, etc.
“On the Moon” is decidedly more upbeat with more twinkling to the
stringed instruments and a cleaner, more arid sound, as particularly fat, beefy
bass lines drive the action as the banjo and guitars glide overtop. The end result has an overall happier feel
with some cool lead vocals paving the way into listener’s memories. The title cut is a classic Nashville
tearjerker with the stalwart steel guitar accoutrements coloring in all of the
dark spaces and making for a soulful slow-burn full of authentic country twang
thanks to the acoustic guitar n’ banjo duel that happens in the body of the
song. “The Distance” tempers the old
school country style with jazz piano and it’s another strong piece that comes
in and hits you in those low emotional places.
Turning
to that boogie upright bass pluckin’ of the rockabilly style, “Pavlov” is a
funky number with emphasis on the rhythm section as the guitars and banjos
crackle n’ fade alongside some husky low-toned vocals. It’s obvious that these two are in tight
control of their sound at all times.
Similarly driving and uptempo “Mule in the Mine” has that river panning,
coal miner’s tinge borrowed from bluegrass but it comes off as more far country
than farmland. It’s an interesting old
school track that’s catchy but expressive at the same time. “Step Outside” brings the steel guitars back
into focus before “The Ballad of Huell Howser” goes back to a body shakin’,
country two-step. The flamenco flavored,
Spanish guitar of “Music of Our Hearts” is another unique aural deviation from
the band’s core elements and “Empire” ends the album with a dark-folk
apocalypse. Some B-side bonus tracks and
alternate duo versions of the album tracks (without the extra instrumentation)
round things out for a very complete listen that covers all of the ground that
you want it to when the listening is all said and done.
Peripheral
Vision
is a modern classic of the country genre that nobody should miss out. With excellent and tight playing, powerful
words and vocals and a production job that brings out every song’s greatest
strengths, there’s a lot to discover here for fans of the way back style. Anyone that digs country, folk, bluegrass and
beyond should have a heck of a time with this one.
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