Monday, August 7, 2017

Julia McDonald - Gravity (2016)




Written by Joshua Stryde, posted by blog admin

Julia McDonald’s debut Gravity is a first release you’ll remember for quite some time. It’s a six song collection carrying every bit as much lyrical and musical weight as most full length albums but features a collection of tracks with a well honed focus that never veers off track. McDonald is nineteen years old, but she already sounds like a seasoned artist capable of conveying any song to listeners and tailors her voice quite nicely to the musical accompaniment around her. Six songs, furthermore, seems like an ideal length for this release and affords McDonald ample opportunity to show off her talent for taking on a variety of styles and tempos. There’s also a strong singer/songwriter presence on this release thanks to the frequent presence of acoustic guitar but the drumming gives it a modern feel and avoids much straight-ahead, predictable percussion. It’s a lot of little touches that takes these great songs and make them into something even more.

The relaxed and confident movement of the EP’s title track starts Gravity off in fine form. The lyrical excellence of the song gets an added shine applied thanks to McDonald’s evocative singing. Her skills with phrasing and bringing an emotive quality to each line are amazing for such a young and quantifiably “inexperienced” singer. McDonald, at only nineteen years old, sings these songs full of thorny emotions and subject matter with the assurance and insight of someone much older. Regardless if her interpretations and the songs themselves are culled from personal experiences or purely imaginative acts inspired from another source, McDonald approaches the EP’s songs as if her life depended on nailing them and the title cut is one of the best examples. “Games” has traditional instrumentation providing much of its musical shape, but there is a stronger pop edge powering this track than we heard on the opener. The shifting rhythms she explores are quite modern and seem to reflect a little hip hop influence on a release that, most assuredly, doesn’t belong in that genre. The percussion does, however, give these songs a quirky twist that they might otherwise lack with a simpler treatment.

“No Good for Me” is cynical, vulnerable, and often nakedly cruel. It is, however, a brutally honest song that McDonald conveys to her listeners without any overt displays of sentimentality. It’s much more in the singer/songwriter area than “Games”, but there’s commercial appeal built into all of those songs to one degree or another. The EP’s final track “Simpler Things” has a strong synthesizer presence than many of the earlier track and a much more threatening posture. McDonald is obviously a performer focused on writing and recording serious minded songs rather than pursuing empty stardom alone, but she frames all of her efforts with a five star pop song sound that gets the music over in the best possible way.   

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